Oh well what's ironic about this is that I lost my tool of trade, my Canon Elph camera so no macro zoom for a long while - but hopefully not much longer? so please excuse the crappy resolutions.. well as if you really want to examine some of these crappy sketches anyways right?
I was on my work break when I just started looking around and I notice all these men around me. Haha, it's true - old folk on the left reading a newspaper (does he come here every morning? Is it boring or calming habit for him..) his white wispy hair is fluffy and soft reminds me of cotton candy - maybe he should dye it purple and pink then his grandkids would get a kick out of it but who says he has grandkids right? And this middle aged guy reading a thin large book, some big colorful pictures in it - reminds me of a picture book for a kid he's a regular customer and his absent right forearm does raise questions I mean we're all curious about stories. He always sticks the plastic cup under it when he counts out change. Then there's this grayed hair guy in the middle of it all buttering something also reading. Must be a library in here practically. And finally the father and son. Gosh, even the kid is a male. But oh here comes the brave woman and her daughter. And the little six or seven year old tries to steal a sip of her mother's coffee and the mom comes back to tell the cute little warning lie "dear this isn't for you, you shouldn't drink it, coffee will stunt your growth." Oh really so mother is that why you're a midget? Maybe it'll be proved by those godly researchers one day. Then it'll not be your mother telling you but the news telling everybody.
Observing people has always been pastime of mine. But I have my favorites about how to go about doing so. There's plenty of ways and I think people must do it all the time. I guess you can say gossip is a form of it even. That's likely the easiest way to put observations into action and most primitive form. Anyways, it's pretty primitive for me too I suppose. Pencil, ink, paints, and paper is probably all I need. My second choice is a camera to make things stay still - although sometimes too still and not enough lee way to fudge the details. In a good way of course. Like the old woman's radiant beauty whose varicose veins you overlook, a mother's instinct. Or the old man's wrinkled hands you emphasize as he wraps it around his lover's. It's things you see and you don't see that makes up an interpretation and a statement. I love the camera because of its objectivity and know-it-all snobby attitude and I dislike it because of its objectivity and yea, that snobbish attitude like it can tell everything.
All that aside, I had forgotten the old friend. Of drawing out of necessity but the good kind. I used to hate drawing people. Maybe I just hated people, envious of the closed off lives that I could never enter. Maybe out of spite and envy. But also a sadness if I couldn't completely capture them as how I wanted them to be. And maybe that's just it. My inability to capture people is possibly a measurement of how much I understand this world and its inhabitants. The separateness I feel from all that is alive.
All this essay writing (pointless this time around) has me thinking a little.. and it has me returning to what was a salvation, an escape. Just like the heroin shot is for the addict.